We were on Low Lights Studios from the beginning, designing and building it as it grew, through to the close of 2024. Brand architecture and the collections themselves through to product scaling and market positioning, with the campaign imagery shot in house across seven separate productions.
We were designing the product from the beginning, not brought in once the brand had a shape. That is the difference between building a label and decorating one.
How the brand is built underneath: what sits at the centre, what hangs off it, and how a new line finds its place without breaking the whole.
Seasons developed from direction into ranges, then into produceable, priced product.
Taking what worked and making more of it properly, which is a production and quality problem long before it is a design one.
The direction for each drop and the imagery that carried it, shot and finished in house.
Where the brand sits against everything else on the shelf, and what has to be true about the product for that position to hold.
Most studio work is bounded: a season, a capsule, a campaign. This was not that. We were there from the first collections onward, designing and developing the product as the brand grew, and the work covered the whole chain, from the architecture of the brand down to the scaling of individual products.
Seven separate photographic productions came out of it, each one its own shoot with its own direction, which is what a brand needs when it is releasing continuously rather than twice a year.
The partnership ran through to the end of 2024.